《艾特熊和赛娜鼠2：吉波利塔之旅》：皇后乐队，音乐传奇

     算是老片子了，有舞台腔.     杜镜放的那个美人风筝我咋没想明白呢.     还有狱中探视那一段也比较无感.     王勃不属于那个时代，赦罪后杜镜带他找舞女调笑时候，觉得王勃的困顿和迟缓感表现得很好，他又被那个时代，你不能说是困住，但他确实身处一种困境.     还有落霞，她和王勃算是知己，这是难得，或者在她身上王勃算是赎了罪过，也不能这么说，不能说是赎了罪过，但照见自己一定是有的.     那个小书童演得也真好，我都要哭了.     若是知己，他算一个.     我以为我腻歪了滕王阁序，但是豫章故郡出来，千载之下，难言的生命感.     不过我粉王勃不是因为落霞孤鹜而是襟三江而带五湖.     滕王阁那个片段看得实在爽.     那种光影明亮，人生怅然，那种困惑，爱惜羽毛又自怨自艾，不恋生但畏死的真实，内心的愧疚折磨.     渡海而死的三尺危命的一介书生.     刘小峰演得真好.     估计得二刷3.5星，这种松散的节奏对导演控制力的要求会格外的高，在这部选角很差的电影里（鲍尔和史蒂芬斯两人完全不适合这两个角色）导演做的特别好.     这也使得这部电影具有了比较强的现代感，对后来的新黑色电影有很大的启发作用.     故事依然有戏剧化的倾向但是叙事方式却是去戏剧化的，结尾如果可以处理的更自然更精妙一些就更好了.     The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..